Sukanya Verma quizzes you to find out just how much you know about the movies.
From the genius of Drishyam to the misfires of Mirage, here's ranking every Malayalam thriller directed by Jeethu Joseph before Georgekutty returns in Drishyam 3.
Yash Raj Films has dropped the teaser for Alpha, a thrilling first look at Alia Bhatt's origin story as a spy in the YRF Spy Universe.
Explore Bollywood's enduring fascination with infidelity as new films like Pati Patni Aur Woh Do and Hai Jawani Toh Ishq Hona Hai continue a cinematic tradition of depicting adultery through various classic tropes and evolving narratives.
Plot loopholes, unresolved arcs and feeble explanations for cruel betrayals, Kartavya's hastily wrapped conclusions and gabby excuses makes it look like a demo reel for a OTT series
'We have heard the feedback regarding certain scenes in Peddi and have taken it seriously.'
Puri Jagannadh dropped the intense teaser for his action drama SlumDog: 33 Temple Road, showcasing Vijay Sethupathi in a mysterious role as a visually-impaired beggar with hidden combat skills alongside Tabu as a formidable police officer.
'It's so liberating when there are two heroes in the film who are walking along and being each other's strength. When that happens, it shows on screen.'
'...when it is going to start witnessing a hockey stick growth in terms of music streaming and paid music streaming.'
Producer and former Central Board of Film Certification chairman Pahlaj Nihalani was known for backing several commercially successful entertainers and his controversial tenure at the CBFC.
Aamir Khan is set to bring the life of cricketing legend Lala Amarnath to the big screen in a biopic directed by Ashutosh Gowariker.
Ayushmann Khurrana's Pati Patni Aur Woh Do has secured a fair opening weekend at the box office, while Sanjay Dutt's Aakhri Sawal faced a challenging start.
As Assi gets ready for release this week, Deepa Gahlot lists 10 films that deal with rape in different ways.
The Devil Wears Prada 2 works because it has things of its own to say. A nod to nostalgia, but with enough newness.
'Working with Imtiaz Ali sir was something I had dreamt about for years.' 'His films have shaped the way I look at cinema and storytelling, and to be trusted with a character like Afsana was incredibly meaningful for me.'
Despite zero publicity, mythological film Krishnavataram has shown a surprising fight at the box office, while family drama Daadi Ki Shaadi struggled to find an audience.
Ashwiny Iyer Tiwari's courtroom drama System falls short due to muddled narrative and uninspired execution, observes Sukanya Verma.
'I don't like talking about my struggles because I find them quite small in comparison to what I have seen happening to the people in my country.' 'I don't think pursuing your dreams is a struggle.'
From Aishwarya Rai's magnetic Nandini to Mrunal Thakur's heartbreaking Sita, these Bollywood actresses proved they could do far more than just play glamorous imports in South cinema.
'I did not understand that if a film is released, what is the impact of its collection on my career and my life. For me, it was a big thing that I am coming on the silver screen.' 'Now, one-and-a-half years later, I am still processing its impact.'
'Her voice was very rich in timbre and at the same time very soothing.'
Hai Jawani Toh Ishq Hona Hai, secures fair opening weekend at box office; Peddi's Hindi version underperforms.
India-Pakistan matches were never meant to be predictable -- it was meant to be unforgettable, notes K R Nayar.
Bollywood celebrities attended a special screening of Akshay Kumar's new film, 'Bhooth Bangla', in Mumbai, marking his first release of the year.
'The real Bharat Bhhagya Viddhaata are the citizens of our country.' 'The Delhi government will make the film tax-free in the city so that every citizen is able to watch it.'
Ranbir Kapoor, Google CEO Sundar Pichai, and acclaimed chef Vikas Khanna have been named among TIME magazine's 100 most influential people for 2026.
Ananya Panday delights fans by sharing stunning photographs from her French vacation with sister Rysa Panday, celebrating Rysa's graduation and showcasing memorable moments together.
Ranveer's revenge, Karisma's return, royal romance, office romance, biopic of a watch, warmth of a Gullak, OTT has truckloads of surprises to offer this week.
Soha Ali Khan and Kunal Kemmu share glimpses of their family holiday at the Conrad Maldives Rangali Island, while celebrating Kunal's 43rd birthday.
Despite the ongoing IPL season, May is set to deliver a diverse array of series and movies on OTT platforms.
As the World Cup kicks off, sports enthusiasts are witnessing a fascinating transition from the familiar rhythms of cricket to the exhilarating dynamics of football, bringing with it new terminology, fan reactions, and game rules to master.
Actor Aadinath Kothare, set to appear as Bharat in Nitesh Tiwari's highly anticipated Ramayana, believes the film is a game-changer for Indian cinema on the global stage.
'I like to celebrate who I am. I like to experiment, and am not afraid to make mistakes. You have to be your biggest cheerleader.'
Blast mixes engaging family drama with massy martial arts mayhem to deliver a thoroughly entertaining action ride.
Malaika goes on a holiday to the Maldives to rest and recuperate.
Sukanya Verma quizzes you to find out just how much you know about the movies.
Aishwarya Rai Bachchan captivated audiences at Cannes 2026 with her fourth stunning look: A beige Fjolla Nila gown adorned with crystal work and a dramatic feather cape.
'The first time Bharathi sir looked at me, I think he was shocked and disappointed. This is the girl, who's going to be playing his most important character. Sridevi had done it before me, and what an actor she was! She was definitely more experienced than me because she'd been working as a child star, and I was a gawky teenager.'
'The role was of a father, which was a bit unflattering. I thought I would get typecast with this show.' 'Today, after doing five seasons, I feel extremely lucky that I did it.'
'There is a relationship between the audience and the film, and money should not come in between them.'
